Stamps
Dike ties her sculptural forms and motifs together by enclosing them within a format derived from postage stamps, thus speaking, in a subtle of double entendre, of the artist passage into the global spaces of international art practice and discourse.
The conjunction of locale-specific modes of inscription and sanctioned modes of transit with the global capitalist system creates a very potent image of the nomadic instincts of contemporary African Art.
Dr. Sylvester Ogbechie. UCLA. Santa Barbara
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